1.紅彩仙子－給你如甜心玫瑰般的千人抱抱 Rainbow Fairy –Honey Baby Hug

時間/Duration: 60min
藝術家/Artist: 葉怡利 Yeh Yi Li (台灣/Taiwan)
若是你是正常人打扮並隨意在街上擁抱陌生人，你可能會被推開、被罵，但假如你裝扮成可愛的卡通、漫畫或電玩人物，那麼將會有許多許多人圍繞著你擁抱你並搶著和你拍照…等，因為那是多麼的不真實卻又多麼的夢幻，然而這個不真實存在的身分卻讓你的腦部分泌超眞實並且無限大的幸福！

Imagine yourself dressed normally and start hugging people on the streets, you would probably be pushed away or get yelled at. However, when it comes to anyone dressed in cute comic figures, people will start line up to take pictures with them and can’t wait to give these unrealistic characters big hugs. What is all this about? It’s the pleasure of allowing being unrealistic and fantasizing in anyway, and the disguised identities create true infinite happiness in the brains of the people.


藝術家簡介/Artists' CV
葉怡利 Yeh Yi Li (台灣/Taiwan)
1973年生，畢業於國立台灣藝術學院與台南藝術大學應用藝術研究所。2000年獲台北奬入選。2005年，曾獲選參加澳門「以身觀身：中國行為藝術文獻展」，並參加過第四屆大道現場藝術節，作品也在南韓、英國、俄羅斯、馬其頓等地發表。
Born in Taiwan in 1973, graduated from the Graduate Institute of Applied Arts, Tainan National University of the Arts. In 2000, Yeh’s work was selected by Taipei Awards. In 2005, she participated in “Inward Gazes – Documentaries of Chinese Performance Arts” in Macau and China’s 4th DaDao Live Art Festival” in Beijing. Yeh also performed in several countries including South Korea, England, Russia and Macedonia.

2.Cosán Dearg

時間/Duration: 15min
藝術家/Artist: Fearghus O’Conchuir (Ireland/愛爾蘭)

“紅色的道路”，形容地面不斷的被踐踏而磨損；亦象徵強制力，反覆和情感。舞蹈指導Fearghus Ó Conchúir與劇場指導Jason Byrne，作曲家Julie Feeney和演出者Bernadette Iglich共同給予每次演出的新演繹。

literally ‘red path’, is a phrase used to describe ground worn by the frequent tread of footsteps. It is a physical metaphor for compulsion, repetition and attachment. Choreographer Fearghus Ó Conchúir has collaborated with theatre director Jason Byrne, composer Julie Feeney and performer Bernadette Iglich to create an uncompromising physical script for a relationship that emerges from the bodies of audience and performers in a new way each time it is performed.

藝術家簡介/Artists' CV
Fearghus O’ Conchuir (Ireland/愛爾蘭)
Brought up in An Rinn, an Irish-speaking area of Ireland, Fearghus Ó Conchúir completed degrees in English and European Literature at Magdalen College Oxford, before training at London Contemporary Dance School. He has danced for companies in the UK and Ireland. In 2001 he set up Corp Feasa Dance Company to perform his own choreography which has included Vespers, Tearmann, Sulán, An dá thrá and Cosán Dearg. He was Artist in Residence in the Muskerry Gaeltacht in 2003/2004 and continues to develop his work in collaboration with other artists and in association with rural communities across Ireland. He was a recipient of RTÉ/An Comhairle Ealaíon inaugural Dance on the Box Commission for which he created Match. He is the first Ireland Fellow on the Clore Leadership Programme and Dance Artist in Residence for Dublin City Council. His current creative preoccupation is the relationship between bodies and buildings in the context of urban regeneration, a preoccupation that has manifested itself in work in Dublin and Shanghai.

在使用愛爾蘭語的安林半島長大。在牛津大學莫德林學院修讀英文和歐洲文學，隨後在倫敦當代舞蹈學校學習。在2001年成立 Corp Feasa Dance Company；與Vespers, Tearmann, Sulán, An dá thrá和Cosán Dearg一起演出其創作的舞藝。在2003/2004年被邀為Muskerry Gaeltacht的駐場藝術家；從而繼續在愛爾蘭與其他藝術家交流創作。他是 RTÉ/An Comhairle Ealaíon inaugural Dance on the Box Commission的獲獎者，創作了“Match”；亦是Clore Leadership Programme的首位”Ireland Fellow”和都柏林市議會的舞蹈駐場藝術家。現時的創作專注於身體與建築物在城市革新中的關係 – 已搶先在都柏林市和上海演出過。

3.The construction of happiness --- greetings from Shenzhen

時間/Duration: 隨機/ On going
藝術家/ Artist: Mandy Romero (英國/UK)

藝術家簡介/ Artists' CV
Roger Hill (英國/UK)
在英國利物浦居住與工作的Roger Hill畢業於劍橋大學的英文學士/碩士課程；和里茲大學的英國中高等教育教師資格。
他從事的工作包括學術、研究、顧問、廣播；現專注寫作和現場表演。過去曾擔任Everyman Theatre助理指導(1982-3)；利物浦表演藝術學院講師(1996-2003)和參與青年戲劇的工作。他亦為各機構擔任顧問，包括瑞典文化部和英國文化部等。他的文章亦被發表和刊載。

Roger Hill lives and works in Liverpool, England. He completed a BA in English (then MA) at Cantab and a PGCE at Leeds University.
His career has incorporated diverse roles, including: teaching, facilitation, research, consultancy, broadcasting and, currently the most prominent element, writing and live performance. Past roles include: Assistant Director at the Liverpool Everyman Theatre (1982-3); Lecturer/Senior Lecturer in Community Arts (Drama) at Liverpool Institute for Performing Arts (1996-2003); and youth theatre work for organisations including Manchester Contact Theatre and the National Association of Youth Theatres. Roger carried out consultancy work for a wide range of organisations, including The Swedish Culture Ministry, Yorkshire Arts and Scottish Arts Council, as well as advisory work for Council of Europe Programmes. He has published a number of articles and papers.

4.走 Run

時間/Duration: 20min
藝術家/Artist:王楚禹 Wang Chu Yu (北京/ Beijing)

將右腳抬起，放於腦袋後面，用左腳蹦跳行走20米，再將左腳放於腦袋後面，蹦跳著返回。所走路線有1949、1957、1966、1989、2007標記。左腳掌寫有“1957左”，右腳掌寫有“1957右”字樣。

Lift up right leg stretching to the back of the head, skipping with left leg for 20 meters, in exchange stretching left leg to the back of the head and skipping back. The route is marked with years 1949, 1957, 1966, 1989 and 2007; while '1957 left' is written on the left palm, while '1957 right' on the right palm.

藝術家簡介/Artists' CV
王楚禹 Wang Chu Yu (北京/ Beijing)
1974年生於中國陝西，1993畢業於陝西藝術師範，1994年開始在北京從事藝術創作至今，除了發表個人行為藝術作品外，也參與策劃「大道現場藝術節」、「打開國際行為藝術節」及「六月聯合行為藝術營」等國際行為藝術節，近年曾陸續獲邀於英國、香港、日本及台灣發表作品。

Born in 1974, Shanxi, China. Graduated from Shanxi Provincial Arts School (Education), and has been actively involved in arts creation since 1994 in Beijing. Participated in DaDao Live Art Festival etc.; and is continuously invited to perform in UK, Hong Kong, Japan and Taiwan.

5.Field Study

時間/Duration: 20min
藝術家/Artist: Lin Yuan Shang (法國/France); Michael Klien (奧地利/Austria)

Field Study是Michael Klien的新作，由台灣旅法名舞蹈家Lin Yuan Shang（法國）演出。‘Field Study’亦是二人的第一次合作。林原上利用身體動作去思索自身的生命和意識形態。即興的創作表演和舞者對自身的觀感帶給觀眾嶄新的角度去欣賞這場演出。

This is a new work choreographed by Michael Klien on artist Lin Yuan Shang of Eolipile Cie, France. ‘Field Study’ represents a first time collaboration between these two artists. In this performance Yuan Shang explores his own life and mental patterns through bodily thinking and movement. Klien and Yuan Shang have created a choreographic language that utilises improvisation and the dancer’s perception of the world creating a mesmerising and intriguing solo performance.

藝術家簡介/Artists' cv
Lin Yuan Shang (法國/France)
出生於台北，台灣。Lin Yuan Shang 11歲時已到京戲班學習武生和雜耍。經過幾年的刻板學習和工作，他轉向學習其他戲劇的可能性 – 當代舞蹈和戲劇。
他來到法國加入了"Festival du Cirque de Demain"，因而被Ariane Mnouchkine (陽光劇團)發掘；並與她在1986-88年間合作，而在法國定下來，再與Maguy Marin合作；直到後期發表其個人作品而成立Eolipile Company。
在1996年11月創作的個人演出 “On which voyage are you taking me tonight?” 大獲評論界讚頌；亦向外伸展,。

Born in Taipei - Taiwan, Lin Yuan Shang entered the Peking Opera school at age eleven and specialised in warrior roles and acrobatics. He suffered from the rigid aesthetic he had to respect and, after a few years within Peking Opera companies, he decided to study other theatrical languages - contemporary dance and theatre.
He first arrived in France for the "Festival du Cirque de Demain" - and was noticed by Ariane Mnouchkine (Théâtre du Soleil). He worked with her from 1986 to 1988. In 1994, he settled in France and worked with Maguy Marin before starting personal work and founding Eolipile Company.
His solo On which voyage are you taking me tonight? created in November 1996, was warmly welcomed and opened the gate for an international diffusion.

Michael Klien (奧地利/Austria)
Michael Klien從1991-93年在維也納藝術學院修讀藝術；96年在倫敦拉邦中心完成行為藝術的學位課程。1996年共同創立BOHILtd. 制作公司。1994-2000年擔任Barriedale Operahouse (London) 的藝術總監；由1998年至今為新媒體與行為藝術講課。他的編舞作品和裝置藝術走遍全歐洲。2003年擔任Daghdha Dance Company的藝術總監；在這的前2年亦為Ballett Frankfurt作客席編舞和擔當 William Forsythe的藝術顧問。

Michael Klien studied Fine arts in the Vienna academy of Fine Arts from 1991 to 1993 and in 1996 he completed a BA in Performing Arts in the Laban Centre, London. In 1996 he co-founded BOHILtd. – a Greenwich (London) based Production Company for creative direction and production in the multimedia and live sector and from 1994 to 2000 was Artistic Director of Barriedale Operahouse, a multimedia Arts group based in London. Since 1998 Michael has been lecturing internationally on new media and performing arts. His choreographed works and installations have been performed at venues around Europe. In 2003 he was appointed Artistic Director of Daghdha Dance Company and prior to this appointment he worked for two years as guest-choreographer for Ballett Frankfurt and artistic advisor to William Forsythe.

Daghdha Dance Company
成立於1988年，是愛爾蘭最早的當代舞團，這次藝術節將呈獻由Michael Klien編舞的“Einem”和 “Field Study”兩組20分鐘的單獨表演。
Established in 1988 Daghdha Dance Company is Ireland’s oldest contemporary dance company. For this Festival Daghdha Dance Company will present ‘Einem…’ and ‘Field Study’, two twenty minute solo performances choreographed by Artistic Director Michael Klien.

6.L.E.P.P.

時間/Duration: 20min
藝術家/Artist: Tmar Raban (以色列/Isarel)

英語的演出課程
演出的英語課程
英語演出的課程
演出在英語課程
Tamar Raban從2006年開始在動作與圖像上創作一系列的現場表演探索。利用隨機抽取的字組拼成“performance”，從而產生實現願望之行為的語法。

Lesson on Performance in English
English Lesson on Performance
Performance in English on Lesson
Performance on English Lesson
During 2006 Tamar Raban began to create a series of exploratory performances as the foundation of a kind of living dictionary of actions and images. The random selection of words (each time different words) starting with letters that make up the term "performance" acts as the stimulus for building a performative syntax.

藝術家簡介/Artists' CV
Tmar Raban (以色列/Isarel)
出生於以色列，畢業於海法大學(藝術課程)
在世界各地的活動，博物館和美術館演繹其創作的行為藝術。以色列推廣跨科際藝術的慈善機構“Shelter 209”的其一創辦人和總監； “Performance Art Platform” 的創辦人和“Ensemble 209”.的藝術總監。

Born in Israel, graduate of Haifa University, Art studies.
Creator of Performance Art that are performed at festivals, museums, galleries & theaters, in many countries. One of the founders and current director of Shelter 209, a non-profit organization for the promotion of inter-disciplinary art in Israel, founder of “Performance Art Platform” – center for performance art in Tel Aviv and artistic director of “Ensemble 209”.

7.Einem ...

時間/Duration: 20min
藝術家/Artist: Elena Giannotti (Italy/意大利); Michael Klien (奧地利/Austria)
“行為的變動”，由一樣 ‘流動的’組織不斷的變化和改造。這些規則的構成取決於舞者Elena Giannotti自身的動作。過程中，Einem會依靠舞者而生。Ballett Frankfurt, ZKM和Tanzquartier Wien是這藝術的始創者，亦在2004年大獲評論界讚頌。

a 'work in movement', is subject to continuous change and adaptation and is based around a 'flowing' structure. This structure is a mix of instructions and rules of how dancer Elena Giannotti is supposed to 'create her own movement'. In synergy with the dancer, Einem ... grows, learns, mutates and lives together through the dancer. This groundbreaking work was originally produced by Ballett Frankfurt, ZKM and Tanzquartier Wien and has been performed by Daghdha Dance Company to critical acclaim since 2004.

藝術家簡介/Artists' CV
Elena Giannotti (Italy/意大利)
義大利出生的Elena Giannotti跟隨Marina Sophie Van Hoecke學習芭蕾舞、現代舞技巧和即興劇場；在歐洲展示其即興創作與技巧。她曾參演歌劇、輕歌劇和舞蹈劇場制作；曾為 L’Ensemble Dance Theatre Company, Virgilio Sieni Dance Company, SOHK等作舞者；亦作個人發展。過去的3年為 Rosemary Butcher工作；從2006年起與 Daghdha Dance Company合作演出 Sediments of an Ordinary Mind, Einem…, Field Studies和Choreography for Blackboards.

Italian born Elena Giannotti studied ballet with Marina Sophie Van Hoecke, modern techniques, theatre improvisation in Italy, improvisation and release technique around Europe. She has worked in opera, operetta and dance-theatre productions. Elena has worked as a dancer for L’Ensemble Dance Theatre Company, Virgilio Sieni Dance Company, SOHK among others. She has also worked on her solo projects, performing in Italy. For the last three years Elena has been working with Rosemary Butcher, dancing and collaborating in performances and films. Elena has worked with Daghdha Dance Company since 2006 and has performed in the productions Sediments of an Ordinary Mind, Einem…, Field Studies and Choreography for Blackboards.

Michael Klien (奧地利/Austria)
Michael Klien從1991-93年在維也納藝術學院修讀藝術；96年在倫敦拉邦中心完成行為藝術的學位課程。1996年共同創立BOHILtd. 制作公司。1994-2000年擔任Barriedale Operahouse (London) 的藝術總監；由1998年至今為新媒體與行為藝術講課。他的編舞作品和裝置藝術走遍全歐洲。2003年擔任Daghdha Dance Company的藝術總監；在這的前2年亦為Ballett Frankfurt作客席編舞和擔當 William Forsythe的藝術顧問。

Michael Klien studied Fine arts in the Vienna academy of Fine Arts from 1991 to 1993 and in 1996 he completed a BA in Performing Arts in the Laban Centre, London. In 1996 he co-founded BOHILtd. – a Greenwich (London) based Production Company for creative direction and production in the multimedia and live sector and from 1994 to 2000 was Artistic Director of Barriedale Operahouse, a multimedia Arts group based in London. Since 1998 Michael has been lecturing internationally on new media and performing arts. His choreographed works and installations have been performed at venues around Europe. In 2003 he was appointed Artistic Director of Daghdha Dance Company and prior to this appointment he worked for two years as guest-choreographer for Ballett Frankfurt and artistic advisor to William Forsythe.

Daghdha Dance Company
Daghdha Dance Company成立於1988年，是愛爾蘭最早的當代舞團，這次藝術節將呈獻由Michael Klien編舞的“Einem”和 “Field Study”兩組20分鐘的單獨表演。
Established in 1988 Daghdha Dance Company is Ireland’s oldest contemporary dance company. For this Festival Daghdha Dance Company will present ‘Einem…’ and ‘Field Study’, two twenty minute solo performances choreographed by Artistic Director Michael Klien.

8.A Room 房間

時間/Duration: 60min
藝術家/Artist: Giacomo Calabrese (意大利/ Italy)
我代表東西方對身心定義的分裂。每一組動作反映我實質的軀殼，每一個姿態與時空相稱地行走，直到身體回復到寂靜的狀態。當身體只是作為一種工具，就變成一個要被戰勝的障礙物，而置身在世上，捨棄幻覺。
In the ancient Chinese culture the body and soul were indivisible and considered as one. In the West the body has split from the soul and become a tool; politically-exclusively as work power, in terms of lust as a source of pleasure, medically as an organism to cure, religiously as flesh to redeem and regarding signs as a support of meaning. I am the result of such a scission and I experiment with the two extremes. Every act of mine reveals the fact that my presence is bodily. The body unfolds the space and unfolds itself within a space which is not geometric nor is its time chronological. It moves through distances that that are proportionate to its gestures accompanied by those words that arrive only where the sound of its voice can reach. It plays with modesty, flesh and clothing until it reaches that situation - limit where the body returns to its silence-death. The body lives comfortably when it inhabits a space in a natural way. But when it becomes a mere instrument, divided from the soul and alienated, it becomes an obstacle to overcome in order to be a part of the world, leaving only hallucinative traces.

藝術家簡介/Artists' CV
Giacomo Calabrese (意大利/ Italy)
從事錄像、數位編輯。在歐洲、美國(José Limòn Dance Company)、Adriana Borriello (Rosas) 和Julyen Hamilton學習舞蹈；亦有學習哈塔瑜伽和太極拳奇功，去深入探索身體的可能性和根據骨療法的概念研究身體動作。亦與Sylvano Bussotti, Sandra Fuciarelli, Adriana Borriello, Jean-Marc Boitiere, Virginie Girerd, Bill T. Jones, Anouska Brodacz, Ornella D’Agostino 和Versiliadanza(公司)合作。近年的創作專注於常規和非常規的層面上，在其個人、或與其他舞者和音樂家作即興的演出。亦從事現代舞蹈、即興發揮、太極拳奇功的舞蹈技術教導工作。
studied dance in Europe and in the USA on scholarship with the José Limòn Dance Company. He continued training with Adriana Borriello (Rosas) and Julyen Hamilton and practices Hatha Yoga and Tai Ji Quan-Qi Gong in order to have a greater understanding of the body and to develop his own method of analyzing and researching movement based on osteopathic concepts. He has worked with Sylvano Bussotti, Sandra Fuciarelli, Adriana Borriello, Jean-Marc Boitiere, Virginie Girerd, Bill T. Jones, Anouska Brodacz, Ornella D’Agostino and throughout the world with the company Versiliadanza. In recent years his work has been oriented towards instant composition where he performs in both conventional and unconventional spaces, in solo works and with other dancers and musicians in improvisational works. He is a videographer and digital editor and he currently teaches contemporary dance, instant composition, Tai Ji Quan - Qi Gong and movement technique for actors.

9.有飯食 X有餸食 Rice X Dishes

時間 / Duration: 20min
藝術家 / Artist:洪盈惠 Hong Ieng Wai (澳門/Macau); 馮錦基 Fong Kam Kei (澳門/Macau)
一個用飯，一個用餸，都是關於現今澳門社會中市民的生活狀態。One with rice, another with dishes, that relates to the current living status of Macau citizens.

藝術家簡介/Artists' CV
洪盈惠 Hong Ieng Wai (澳門/Macau)
生長於澳門，現職社會工作者。「一人一故事劇場」愛好者，07年5月參與在牛房倉庫舉行的「青洲坊拾壹街柒號」一人一故事劇場。曾於澳門演藝學院修讀兩年的戲劇編導課程，現正修讀教育戲劇。剛剛參與由牛房倉庫舉辦的「行為藝術」工作坊，從此開啟了「行為藝術」之門......
Born in Macau, currently a social worker. Activist of Playback Theatre and has participated in the 'Ilha Verde 11th Street No.7' Playback Theatre at Ox Warehouse (May07). Studied 2-year Theatre program at Macao Conservatory of Performing Arts; currently studying Education in Theatre program. Participated in Ox Warehouse's "Performance Arts" workshop held shortly, and since then deeply inspired with performce arts.

馮錦基 Fong Kam Kei (澳門/Macau)
04年開始進行陶藝創作
Started sculpture creations since 2004

10.印 Print

時間/Duration: 20min
藝術家/Artist: 舒陽 Shu Yang (北京/Beijing)


藝術家簡介/Artists' CV
舒陽 Shu Yang (北京/Beijing)
藝術家、獨立策展人和批評家。1985-1996年在西安美術學院附中和油畫系學習，獲藝術學學士和文學碩士學位。1996-1998年在天津城市建設學院建築系任教。1997年移居北京。自2000年加入“北京紙老虎戲劇工作室”，並發起“打開藝術節”。2000-2003年受聘任教於北方工業大學建築學院和藝術設計學院。2001年任藝術雜誌《新潮》編輯。2002年任第2屆平遙國際攝影節“中國新攝影”策展人。2003年赴英國倫敦Visiting Art和威爾士卡迪夫Chapter藝術中心參加藝術管理培訓，同年發起“大道現場藝術節”並策劃“中國影像繪畫展”。2004年加入獨立中文筆會，並開始策劃“DIAF大山子藝術節”。2005年任北京“藝述館SOHO現代城映館”總監和《798藝術資訊》主編，任“798雙年展1”協調人。2006年受聘中央美術學院雕塑系第3工作室“行為藝術課程”教授和798藝術區“映藝術中心”總監。2007年任《北京月訊·藝術資訊》主編，主持“自由表演坊”和“閃電工廠”。
Artist, critic and Curator. Got Bachelor degree in art in 1993 and Master degree in arts in 1996 from Xi’an Academy of Fine Arts. Taught fine art in Architecture Department of Tianjin Institute of Urban Construction from 1996 to 1998. Moved to Beijing in 1997. To be a member of Beijing Paper Tiger Theater Studio since 2000 and initiated Open Art Festival, China. Taught as visiting lecturer at Art & Design Academy of North China University of Technology in Beijing from 2000 to 2003. Worked as executive editor of Chinese contemporary art magazine Next Wave in 2001. Curated China’s New Photography at 2nd Pingyao International Photography Festival in 2002. Participated as independent curator of China-UK Arts Management Placement Programme at Visiting Arts in London and Chapter Arts Centre in Cardiff, initiated DaDao Live Art Festival and curated China’s Photographic Painting in 2003. To be member of Independent Chinese Pen Center and curated Dashanzi International Art Festival since 2004. Worked as chief-editor of art Magazine 798 Art Info, promoter of 798 Biennale 1 and director of SOHO Newtown Cinema of Eshu Art House in 2005. To be visiting professor for Performance Art Class at 3rd Studio of Sculpture Department, Central Academy of Fine Arts and artistic director of Inter Art Center at 798 Art Zone, Beijing in 2006. To be Chief-editor of magazine art I, produced “Free Performance” and promoted “Lightning Factory” in 2007.