1.澳門龍 Macau’s Dragon

時間/Duration: 20min
藝術家/Artist: 吳方洲 Ng Fong Chao (澳門/Macau)


藝術家簡介/Artists' CV:
吳方洲 Ng Fong Chao (澳門/Macau)
畢業於澳門視覺藝術學校高級當代繪畫證書、高級攝影證書、高級版畫證書課程及澳門理工學院藝術高等學校『視覺藝術(教育)』系，1990年起參加國內外聯展六十餘次，並參與當代劇場演出。現為澳門牛房倉庫藝術空間展覽策劃、澳門國際現場行為藝術節(MIPAF)總策劃，並供職於澳門民政總署轄下澳門藝術博物館，任展覽策劃。
Born in 1968, Settled in Macau since 1983. He studied Painting, Since Engraving and Photography in Academy of Visual Arts at the Polytechnic Institute of Macau, and has participated in More than 60 collective exhibitions in China and overseas since 1990. Now, he is an Exhibition Planner for the Macau Museum of Art, Civic and Municipal Affairs Bureau.

2.反應 Reaction

時間/Duration: 120min
藝術家/Artist: 周斌 Zhou Bin (成都/Chengdu)


藝術家物料/Artists' CV
周斌 Zhou Bin (成都/Chengdu)
1970年生於中國西安，1988年-1990年就讀于西安美術學院工藝系，現生活工作於成都，1998年至今多次發表個人行為藝術作品。此外，亦曾應邀於日本、菲律賓、台灣等地發表作品。
Born in 1970, Xian, China. Studied at Xian Academy of Fine Arts(Crafts), and currently resides and works in Chengdu. He has actively launch his performance arts since 1998, and has been invited to perform at Japan, the Philippines and Taiwan etc.

3.桌上 On the Table

時間/Duration: 20min
藝術家/ Artist: 霜田誠二 Seiji Shimoda (日本/Japan)
桌子是人類的發明，動物是沒有桌子文化的。我們吃喝，書寫，談事情，都用到桌上。但這時，我們的身體是一分為二，上半身與下半身。下半身總是固定住下半身。這個作品的原初想法是：我要是把整個身體放在桌上，會怎麼樣呢？Table is human being invention. Only we have culture of table, no other animal. We can eat, we can write , we can discuss, we can drink on the table.But in that time, our body is always devided in half, upper and lower body. Our lower body fixes our upper body always when we use table.My first idea of this performance is: what will happen if I put whole body on the table.

藝術家簡介/Artists' CV
霜田誠二 Seiji Shimoda (日本/Japan)
詩人，行為藝術家，現為NIPAF藝術總監。1970年，長野高中學生運動時代，開始寫詩。1975年，展開美術、實驗劇場等活動。1977年在東京開始發表行為藝術作品。1982年，曾旅法三個月並發表行為作品，接著在1978年，展開歐洲展演之旅。自此陸續獲邀於37個國家、150個國際藝術節中，發表創作。1992年，應身體氣象館之邀首度來台發表創作於1990的《桌上》。1993年，開辦「日本國際行為藝術節(NIPAF)」迄今，目前，以每年冬季舉辦「亞洲行為藝術系」與夏季舉辦系列」兩個活動為主軸，持續活躍中。
Poet, Artists, Director of NIPAF, started writing poems in high school, Nagano, 1970, during the high school student movement time. In 1975, he started art, experimental theater, performance art. In 1977, based in Tokyo, he started performance tour in Japan. In 1982, he had many performances in Paris during a 3 months stay. In 1987, he started Western European countries tour. After this, he was invited to more than 150 international art festivals in 37 countries. In Japan, he organized several art festivals during 80’s and started NIPAF since 1993. He also started Asian Series & Summer Seminar since 1996.

4.俞心樵詩

時間/ Duration: 15min
藝術家/Artist:三木 San mu (香港/Hong Kong)

藝術家簡介/Artists' CV
三木 San mu (香港/Hong Kong)
1986年開始從事行為創作，1989年開始行為作品的主題比較多關注人類內心的黑暗面、人與人之間的互相迫害、戰爭等問題，最近開始以學術的角度對行為藝術進行探討。
Started performance art creation since 1986; since 1989 has been inspired by the dark side of mankind, oppressions between mankind and war etc.; and lately probing through the academic perspective on performance art.

Field Study

時間/Duration: 20min
藝術家/Artists:Lin Yuan Shang (法國/France); Michael Klien (奧地利/Austria)
是Michael Klien的新作，由台灣旅法名舞蹈家Lin Yuan Shang（法國）演出。‘Field Study’亦是二人的第一次合作。林原上利用身體動作去思索自身的生命和意識形態。即興的創作表演和舞者對自身的觀感帶給觀眾嶄新的角度去欣賞這場演出。
This is a new work choreographed by Michael Klien on artist Lin Yuan Shang of Eolipile Cie, France. ‘Field Study’ represents a first time collaboration between these two artists. In this performance Yuan Shang explores his own life and mental patterns through bodily thinking and movement. Klien and Yuan Shang have created a choreographic language that utilises improvisation and the dancer’s perception of the world creating a mesmerising and intriguing solo performance.


藝術家簡介/Artists' CV
Lin Yuan Shang (法國/France)
出生於台北，台灣。Lin Yuan Shang 11歲時已到京戲班學習武生和雜耍。經過幾年的刻板學習和工作，他轉向學習其他戲劇的可能性 – 當代舞蹈和戲劇。
他來到法國加入了"Festival du Cirque de Demain"，因而被Ariane Mnouchkine (陽光劇團)發掘；並與她在1986-88年間合作，而在法國定下來，再與Maguy Marin合作；直到後期發表其個人作品而成立Eolipile Company。
在1996年11月創作的個人演出 “On which voyage are you taking me tonight?” 大獲評論界讚頌；亦向外伸展,。
Born in Taipei - Taiwan, Lin Yuan Shang entered the Peking Opera school at age eleven and specialised in warrior roles and acrobatics. He suffered from the rigid aesthetic he had to respect and, after a few years within Peking Opera companies, he decided to study other theatrical languages - contemporary dance and theatre.
He first arrived in France for the "Festival du Cirque de Demain" - and was noticed by Ariane Mnouchkine (Théâtre du Soleil). He worked with her from 1986 to 1988. In 1994, he settled in France and worked with Maguy Marin before starting personal work and founding Eolipile Company.
His solo On which voyage are you taking me tonight? created in November 1996, was warmly welcomed and opened the gate for an international diffusion.

Michael Klien (奧地利/Austria)
Michael Klien從1991-93年在維也納藝術學院修讀藝術；96年在倫敦拉邦中心完成行為藝術的學位課程。1996年共同創立BOHILtd. 制作公司。1994-2000年擔任Barriedale Operahouse (London) 的藝術總監；由1998年至今為新媒體與行為藝術講課。他的編舞作品和裝置藝術走遍全歐洲。2003年擔任Daghdha Dance Company的藝術總監；在這的前2年亦為Ballett Frankfurt作客席編舞和擔當 William Forsythe的藝術顧問。
Michael Klien studied Fine arts in the Vienna academy of Fine Arts from 1991 to 1993 and in 1996 he completed a BA in Performing Arts in the Laban Centre, London. In 1996 he co-founded BOHILtd. – a Greenwich (London) based Production Company for creative direction and production in the multimedia and live sector and from 1994 to 2000 was Artistic Director of Barriedale Operahouse, a multimedia Arts group based in London. Since 1998 Michael has been lecturing internationally on new media and performing arts. His choreographed works and installations have been performed at venues around Europe. In 2003 he was appointed Artistic Director of Daghdha Dance Company and prior to this appointment he worked for two years as guest-choreographer for Ballett Frankfurt and artistic advisor to William Forsythe.


Daghdha Dance Company
Daghdha Dance Company成立於1988年，是愛爾蘭最早的當代舞團，這次藝術節將呈獻由Michael Klien編舞的“Einem”和 “Field Study”兩組20分鐘的單獨表演。
Established in 1988 Daghdha Dance Company is Ireland’s oldest contemporary dance company. For this Festival Daghdha Dance Company will present ‘Einem…’ and ‘Field Study’, two twenty minute solo performances choreographed by Artistic Director Michael Klien.

6.房間 A Room

時間/Duration: 30min
藝術家/Artist: Giacomo Calabrese (意大利/ Italy)
我代表東西方對身心定義的分裂。每一組動作反映我實質的軀殼，每一個姿態與時空相稱地行走，直到身體回復到寂靜的狀態。當身體只是作為一種工具，就變成一個要被戰勝的障礙物，而置身在世上，捨棄幻覺。In the ancient Chinese culture the body and soul were indivisible and considered as one. In the West the body has split from the soul and become a tool; politically-exclusively as work power, in terms of lust as a source of pleasure, medically as an organism to cure, religiously as flesh to redeem and regarding signs as a support of meaning.I am the result of such a scission and I experiment with the two extremes. Every act of mine reveals the fact that my presence is bodily. The body unfolds the space and unfolds itself within a space which is not geometric nor is its time chronological. It moves through distances that that are proportionate to its gestures accompanied by those words that arrive only where the sound of its voice can reach. It plays with modesty, flesh and clothing until it reaches that situation - limit where the body returns to its silence-death.The body lives comfortably when it inhabits a space in a natural way. But when it becomes a mere instrument, divided from the soul and alienated, it becomes an obstacle to overcome in order to be a part of the world, leaving only hallucinative traces.

Artists' CV
Giacomo Calabrese (意大利/ Italy)
從事錄像、數位編輯。在歐洲、美國(José Limòn Dance Company)、Adriana Borriello (Rosas) 和Julyen Hamilton學習舞蹈；亦有學習哈塔瑜伽和太極拳奇功，去深入探索身體的可能性和根據骨療法的概念研究身體動作。亦與Sylvano Bussotti, Sandra Fuciarelli, Adriana Borriello, Jean-Marc Boitiere, Virginie Girerd, Bill T. Jones, Anouska Brodacz, Ornella D’Agostino 和Versiliadanza(公司)合作。近年的創作專注於常規和非常規的層面上，在其個人、或與其他舞者和音樂家作即興的演出。亦從事現代舞蹈、即興發揮、太極拳奇功的舞蹈技術教導工作。
studied dance in Europe and in the USA on scholarship with the José Limòn Dance Company. He continued training with Adriana Borriello (Rosas) and Julyen Hamilton and practices Hatha Yoga and Tai Ji Quan-Qi Gong in order to have a greater understanding of the body and to develop his own method of analyzing and researching movement based on osteopathic concepts. He has worked with Sylvano Bussotti, Sandra Fuciarelli, Adriana Borriello, Jean-Marc Boitiere, Virginie Girerd, Bill T. Jones, Anouska Brodacz, Ornella D’Agostino and throughout the world with the company Versiliadanza. In recent years his work has been oriented towards instant composition where he performs in both conventional and unconventional spaces, in solo works and with other dancers and musicians in improvisational works. He is a videographer and digital editor and he currently teaches contemporary dance, instant composition, Tai Ji Quan - Qi Gong and movement technique for actors.

7.Sobre Macau 蘇巴馬交

時間/ Durantion: 20min
藝術家/ Artist: Clare Charnley (英國/UK)；魂游 Wen Yau (香港/Hong Kong)
澳門，就是與別不同！
Let's learn all about Macau in its local language!


藝術家簡介/ Artists' CV
Clare Charnley (英國/UK)
出生於1949年，在2005年於英國林肯大學工作；亦在英國里茲都會大學兼任講師。從1987年今積極參與各地的行為藝術表演，音樂創作和展覽：包括荷蘭（阿姆斯特丹）、英國（約克郡、劍橋、倫敦、謝菲爾德、曼徹斯特、伯明翰、艾克斯特）、保加利亞、德國、愛沙尼亞、立陶宛、摩爾達維亞、加拿大、捷克共和國、墨西哥、波蘭、法國（巴黎）、以色列（特拉維夫市）、中國（北京）、冰島、孟加拉、香港等。
Born in 1949, has worked in University of Lincoln in 2005 (Fellow in Fine Art) and also Part-Time Lecturer in Leeds Metropolitan University (Fine Art). Has participated in miscellaneous performance art festivals, sound creations and exhibitions throughout the world since 1987, including Holland (Amsterdam), UK (York, Cambridge, London, Sheffield, Manchester, Birmingham, Exeter), Bulgaria, Germany, Estonia, Lithuania, Moldavia, Canada, Czech Republic, Mexico, Poland, France (Paris), Israel (Tel Aviv), China (Beijing), Iceland, Bangladesh and Hong Kong etc.

魂游 Wen Yau (香港/Hong Kong)
跨媒介藝術家、研究、策展及評論人，近年專注於即場∕行為及媒體藝術的創作及研究。作品多是就地創作，愛在文化差異及公共與親暱之間進行微軟游擊，主要作品包括：「聽寫王」系列（即場及媒體裝置，2005-）及《(我)沒有罪》系列演出計劃（演出，2004-05）等。作品曾於香港、澳門、中國內地、日本、台灣、玻利維亞等地展出，並為香港及亞洲多份報章、雜誌撰寫文章。現兼任亞洲藝術文獻庫香港研究員。
As a cross-media artist, researcher, curator and writer, Wen Yau concentrates on digital media and live art in the last few years; Her works often grapple with cultural difference and intimacy in public space. Recent projects include “Teng Se Wong / Voice-Writer series” (media & live art, 2005-), “I pledge (not) guilty” (live art, 2004-05), etc. Her work has been shown in Hong Kong, Macau, Mainland China, Japan, Taiwan, Bolivia, etc; Currently she works as part-time Researcher for Hong Kong at the Asia Art Archive and contributes to various newspapers and magazines in Hong Kong and Asia.

8.測 Measure

時間/Duration: 30min
藝術家/Artist: 满宇 Man Yu (北京/Beijing)


藝術家簡介/Artists' CV
满宇 Man Yu (北京/Beijing)
1974年生於中國湖南，1998年畢業於廣州美術學院油畫系，現為職業藝術家，上海非藝術中心策展人，大道現場行為藝術節策展人。
Born in 1974, Hunan, China. Graduated from Guangzhou Academy of Fine Arts (Painting) in 1998 and is currently a professional artist, curator of Fei Contemporary Art Center and DaDao Live Art Festival.

9. Cosán Dearg

時間/ Duration: 25min
藝術家/Artist: Bernadette Igrich (南非 / South Africa)；Fearghus O'Conchuir (愛爾蘭 / Ireland)
"紅色的道路”，形容地面不斷的被踐踏而磨損；亦象徵強制力，反覆和情感。舞蹈指導Fearghus Ó Conchúir與劇場指導Jason Byrne，作曲家Julie Feeney和演出者Bernadette Iglich共同給予每次演出的新演繹。
literally ‘red path’, is a phrase used to describe ground worn by the frequent tread of footsteps. It is a physical metaphor for compulsion, repetition and attachment. Choreographer Fearghus Ó Conchúir has collaborated with theatre director Jason Byrne, composer Julie Feeney and performer Bernadette Iglich to create an uncompromising physical script for a relationship that emerges from the bodies of audience and performers in a new way each time it is performed.


藝術家/Artists' CV
Fearghus O’ Conchuir (Ireland/愛爾蘭)
Brought up in An Rinn, an Irish-speaking area of Ireland, Fearghus Ó Conchúir completed degrees in English and European Literature at Magdalen College Oxford, before training at London Contemporary Dance School. He has danced for companies in the UK and Ireland. In 2001 he set up Corp Feasa Dance Company to perform his own choreography which has included Vespers, Tearmann, Sulán, An dá thrá and Cosán Dearg. He was Artist in Residence in the Muskerry Gaeltacht in 2003/2004 and continues to develop his work in collaboration with other artists and in association with rural communities across Ireland. He was a recipient of RTÉ/An Comhairle Ealaíon inaugural Dance on the Box Commission for which he created Match. He is the first Ireland Fellow on the Clore Leadership Programme and Dance Artist in Residence for Dublin City Council. His current creative preoccupation is the relationship between bodies and buildings in the context of urban regeneration, a preoccupation that has manifested itself in work in Dublin and Shanghai.
在使用愛爾蘭語的安林半島長大。在牛津大學莫德林學院修讀英文和歐洲文學，隨後在倫敦當代舞蹈學校學習。在2001年成立 Corp Feasa Dance Company；與Vespers, Tearmann, Sulán, An dá thrá和Cosán Dearg一起演出其創作的舞藝。在2003/2004年被邀為Muskerry Gaeltacht的駐場藝術家；從而繼續在愛爾蘭與其他藝術家交流創作。他是 RTÉ/An Comhairle Ealaíon inaugural Dance on the Box Commission的獲獎者，創作了“Match”；亦是Clore Leadership Programme的首位”Ireland Fellow”和都柏林市議會的舞蹈駐場藝術家。現時的創作專注於身體與建築物在城市革新中的關係 – 已搶先在都柏林市和上海演出過。

Bernadette Igrich (南非/South African)

10.認知的帝國時代 Name of Product- Cognizance's Age of Empires

時間/Duration: 20min
藝術家/Artist: 全黛馨 / Quan Dai Xin (澳門 / Macau)
體現世界的大和人類認知的小——我們總以為世界就只有目光所及範圍的大小，然而，不被知曉並不等於不存在。我們需要跳出來，以尊重現實的態度，在世界中冒險，品嘗各味各色。To stress the gap between the greatness of the world and the tininess of the human beings' cognizance— we often limit the world's body in our mind with our limited cognizance whilst doubtlessly, those uncognized also exist. So we should jump out and explore in the world via a truth respecting way to taste different flavors and colors.


藝術家簡介/Artists' CV
全黛馨 Quan Dai Xin (澳門/Macau)
Nancy，就讀于澳門科技大學一年級，對世界各種事物有著濃厚的興趣，熱衷於各界的有趣活動.。擺不脫戲劇的影子。試圖用足跡丈量世界的大小，每天都是一場小小的冒險。
Nancy, studying in the Macau University of Science and Technology, is curious about various categories in this massive world and keen on participating in all sorts of interesting activities. She can't get rid of the shadows. And she attempts to measure the world with her footprints, considering every single day as an adventure.